“Daniela’s presence took the film in a different dimension, and she brought something that a cisgender actor wouldn’t be able to bring,” Lelio said. “She brought a real, beating heart to everything.”
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Vega also served as a cultural consultant of sorts for Lelio in the writing process. In an interview with The Times last year, Vega, who called herself the first and only trans actress in Chile, lent her voice to the ongoing conversation about LGBTQ representation in film.
“Why is it just now that trans individuals are starting to run next to people who have always had those opportunities to play the main roles?,” she asked. “Why is that just happening?”
As for “Strong Island,” which won a special jury prize at Sundance last year, it charts Yance Ford’s journey to reconnect with the officers and prosecutors involved in the case about his brother’s killing and discover how the grand jury could have made its decision. Featuring emotional interviews with Ford’s mother and sister, it’s an intimate meditation of how a family’s personal tragedy is situated in an institutionalized fear of blackness and how a loved one’s unexplainable death has impact decades later. Ford, who directed the film, is a trans man.
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While the film doesn’t address Ford’s trans-ness, “it is important that his work has received recognition from the academy,” said Adams.
Morrison also finds herself in the history books as the first woman, after 90 years of the film academy, to receive a cinematography nomination. In responding to the “dream-come-true” nod, she said she hopes it “opens the door for more women to believe that they can do it and follow their dreams and become cinematographers.”
“I think that once you see 50 percent of us [represented in the industry,] you’ll see a lot more nominations this time of year,” she said.
We’ll find out March 4 whether any of these nominees will become Oscar winners. Until then, the recognition does represent a more diverse and equitable future the industry appears to be working toward.